January 2012
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December 2011
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Roger Ebert revisits Robert Zemeckis' CONTACT; you... →
burbanked:
This kind of thing is why Ebert is still Ebert. Rattles off over 1,000 words on a 14-year-old movie and his prose and points make you not only contemplate the nature of the universe, but YOU WANT TO WATCH THE MOVIE AGAIN despite its debilitating McConaughey factor. That, my friends, is blogging magic and the man (Ebert, not McConaughey, obvs) has it shooting out of his pores.
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The only Christmas present I wanted but didn’t get this year was Daniel Craig yelling “CAAATT” as my ringtone.
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Anonymous asked: i want to know upon which painting of van gogh is the picture at 45 mins in the film lust for life is based?
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Our culture is marketing, this is what we do, and what is marketing? Trying to...
– Charlie Kaufman, BAFTA Screenwriters Lecture (via sunshinemakesmehigh)
Emphasis mine.
(via murmurandshout)
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Say who you are, really say it in your life and in your work. Tell someone out...
– Charlie Kaufman: Screenwriters Lecture | BAFTA Guru
This whole video is just bringing me to tears right now. You have no idea how much I’ve needed to hear the things said here. Watch the video, read the transcript, download the pdf, keep it close to your heart. That’s what I’m...
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I’m just kind of odd…There are dark forces in the world, and if you pay...
– Michael Shannon’s Shadows in ‘Mistakes Were Made’ - NYTimes.com
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Today, when Schoonmaker and Scorsese are editing, she still arrives at the office before him and leaves after he’s gone. She works in a cheap-looking office chair at a low wooden desk with worn edges, flanked by large speakers. Scorsese sits behind her in a tan-colored armchair, literally looking over her shoulder, watching her work roll on a giant, MTV Cribs–size monitor. He keeps a nearby TV...
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