elaine, 28, film student always, and the last to leave the theatre.


October 9th
"Breaking Bad is not a situation in which the characters’ morality is static or contradictory or colored by the time frame; instead, it suggests that morality is continually a personal choice. When the show began, that didn’t seem to be the case: It seemed like this was going to be the story of a man (Walter White, portrayed by Bryan Cranston) forced to become a criminal because he was dying of cancer. That’s the elevator pitch. But that’s completely unrelated to what the show has become. The central question on Breaking Bad is this: What makes a man “bad” — his actions, his motives, or his conscious decision to be a bad person? Judging from the trajectory of its first three seasons, Breaking Bad creator Vince Gilligan believes the answer is option No. 3. So what we see in Breaking Bad is a person who started as one type of human and decides to become something different. And because this is television — because we were introduced to this man in a way that made him impossible to dislike, and because we experience TV through whichever character we understand the most — the audience is placed in the curious position of continuing to root for an individual who’s no longer good."
—  Chuck Klosterman on Breaking Bad (via tvhangover)
September 7th
"The problem with sweeping things under the rug is that eventually you run out of rug. It’s not an unlimited resource… Holding her hand at the end of the episode is an incredibly nice callback to the pilot of the show, when Peggy awkwardly tries to make a pass at me by putting her hand on my hand and gets completely rebuffed. Then we see this connection again, 40-whatever episodes later. It’s not a sexual thing; it’s completely a supportive friendly, human gesture."
—  Jon Hamm and Mad Men creator Matthew Weiner offer an oral history of Season 4’s episode ‘The Suitcase’. (via tvhangover)