stay for the credits

December 13th
18:03

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Via

"

Our culture is marketing, this is what we do, and what is marketing? Trying to get people to do what you want them to. It’s what drives our consumer culture, it’s what drives our politics, it’s what drives our art. Music, movies, books, fine arts, it’s part of every research grant proposal. I don’t want to participate. I don’t want to tell you how to sell a screenplay or tell you how to write a hit, or tell you how to fit into the existing system. I want to tell you that I have a hope that there’s another way to be in this world, and that I believe with courage, vulnerability and honesty that the stuff we put into the world can serve a better purpose.

The way movies work now, and I’m talking about mainstream industry, the only goal is to get you to buy a product. The only goal. THE only goal. The ONLY goal. THE ONLY GOAL. And this intention creates the movies that we sit through, and the movies that we sit through create us. In government we’ve been reduced to the same game, through trickery, obfuscation, bullying, fear mongering. The goal of marketing a candidate is achieved. I don’t understand many things, I don’t know as much as I’d like about anything, but I’m a human being and I won’t be in competition for the right to be treated decently.

I won’t play that game. Nor should anybody have to. And in turn I will try not to use whatever access I have to the public sphere to sell things, including myself. The world is very scary now. It always has been. But something grotesque and specific to our time is blanketing us. We need to see that it is not reality, it is a choice we are making or allowing other people to make for us.

"

—

Charlie Kaufman, BAFTA Screenwriters Lecture (via sunshinemakesmehigh)

Emphasis mine.

(via murmurandshout)

18:00

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"Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be that. But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope. It’s done so for me and I have to keep rediscovering it. It has profound importance in my life. Give that to the world, rather than selling something to the world. Don’t allow yourself to be tricked into thinking that the way things are is the way the world must work and that in the end selling is what everyone must do. Try not to."

—

Charlie Kaufman: Screenwriters Lecture | BAFTA Guru

This whole video is just bringing me to tears right now. You have no idea how much I’ve needed to hear the things said here. Watch the video, read the transcript, download the pdf, keep it close to your heart. That’s what I’m going to do.

October 4th
07:06

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auspices:

“I’ll tell you this little story. There’s something inherently cinematic about it. I run in my neighbourhood, and one day I ran past this guy running in the other direction: an older guy, a big hulky guy. He was struggling, huffing and puffing. I was going down a slight hill and he was coming up. So he passes me and he says: “Well, sure, it’s all downhill that way.” I loved that joke. We made a connection. So I had it in my head that this is a cool guy, and he’s my friend now.

A few weeks later, I’m passing him again, and I’m thinking: “There’s the guy that’s cool.” As we pass each other, he says: “Well, sure, it’s all downhill that way.” So I think: “Oh, OK. He’s got a repertoire. I’m not that special. He’s probably said it to other people, maybe he doesn’t remember me … but OK.” I laughed, but this time my laugh was a little forced.

Then I pass him another time, and he says it again. And this time he’s going downhill and I’m going uphill, so it doesn’t even make sense. And I started to feel pain about this, because I’m embarrassed for him and I think maybe there’s something wrong with him. And then it just keeps happening. I probably heard it seven or eight more times. I started to avoid him.

I like the idea that the story changes over time even though nothing has changed on the outside. What’s changed is all in my head and has to do with a realisation on my character’s part. And the story can only be told in a particular form. It can’t be told in a painting. The point is: it’s very important that what you do is specific to the medium in which you’re doing it, and that you utilise what is specific about that medium to do the work. And if you can’t think about why it should be done this way, then it doesn’t need to be done.”

— Charlie Kaufman: how to write a story | Film | The Guardian

November 19th
12:53

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Being John Malkovich. Written by Charlie Kaufman. Draft script (1999).

Charlie Kaufman is 52 today.

May 10th
07:39

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"There’s this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn’t really interest me. To me, it’s kind of like saying, ‘Well, when you do a painting, you always need to have sky here, the person here and the ground here.’ Well, you don’t. In other art forms or other mediums, they accept that it’s just something available for you to work with. I actually think I’m probably more interested in structure than most people who write screenplays, because I think about it."

— Charlie Kaufman (via sometimesagreatnotion)

February 14th
11:03

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