elaine, 26, film student always, and the last to leave the theatre.

Photobucket

October 17th
11:07
Via
deardarkness:

Bill Murray on stage at the Scream Awards.

deardarkness:

Bill Murray on stage at the Scream Awards.

September 6th
15:48
Via
kavalierandclay:

This is a real thing that you can really buy.

kavalierandclay:

This is a real thing that you can really buy.

May 11th
10:30
April 8th
19:01
Hook and Ladder 8 Firehouse (used for the exterior shots for Ghostbusters)
On my list of things to see in New York when I head there at the end of the month for my first time ever. Any other suggestions?

Hook and Ladder 8 Firehouse (used for the exterior shots for Ghostbusters)

On my list of things to see in New York when I head there at the end of the month for my first time ever. Any other suggestions?

July 8th
22:42
Via
legrand:

After a stellar seven-year association with the Lucasfilm family, four-time Oscar-winner Richard Edlund departed Industrial Light & Magic to establish his own effects organization at Entertainment Effects Group. Ghostbusters - his first independent assignment - presented him with the challenge of producing nearly two hundred varied and complex effects shots in considerably less than a year. Before he could even begin, however, the facility - formerly operated by Douglas Trumbull and Richard Yuricich - had to be restructured, additional equipment had to be designed and built, and a top-notch crew had to be assembled from the ground up. Edlund details the problems involved and - together with key members of his production unit - discusses the magic that went into Ivan Reitman’s supernatural comedy.
B/W photocopies still available:
http://www.cinefex.com/backissues/issue17.html
My friend John found this. I think I might have to order a b & w.

legrand:

After a stellar seven-year association with the Lucasfilm family, four-time Oscar-winner Richard Edlund departed Industrial Light & Magic to establish his own effects organization at Entertainment Effects Group. Ghostbusters - his first independent assignment - presented him with the challenge of producing nearly two hundred varied and complex effects shots in considerably less than a year. Before he could even begin, however, the facility - formerly operated by Douglas Trumbull and Richard Yuricich - had to be restructured, additional equipment had to be designed and built, and a top-notch crew had to be assembled from the ground up. Edlund details the problems involved and - together with key members of his production unit - discusses the magic that went into Ivan Reitman’s supernatural comedy.

B/W photocopies still available:

http://www.cinefex.com/backissues/issue17.html

My friend John found this. I think I might have to order a b & w.

July 6th
20:47
Via
"Gozer the Traveler. He will come in one of the pre-chosen forms. During the rectification of the Vuldrini, the traveler came as a large and moving Torg! Then, during the third reconciliation of the last of the McKetrick supplicants, they chose a new form for him: that of a giant Slor! Many Shuvs and Zuuls knew what it was to be roasted in the depths of the Slor that day, I can tell you."
—  

Louis Tully (via joshruben)

A month ago, I posted an audio version of this here.

May 29th
10:42

Louis Tully’s Sloar speech from Ghostbusters.

April 26th
19:59
via torontoist.com
Truth: I had a crush on Dr. Egon Spengler as a kid.

via torontoist.com

Truth: I had a crush on Dr. Egon Spengler as a kid.

19:46
“Look at all the junk food!”
Ghostbusters (1984)

“Look at all the junk food!”

Ghostbusters (1984)

19:45
“Oh my God…”

“Oh my God…”