elaine, 26, film student always, and the last to leave the theatre.

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February 4th
12:51
Via

TOM HARDY BEING FLAWLESS
↳ Warrior (2011)

“Where were you when it mattered? I needed this guy back when I was a kid, I don’t need you now. It’s too late. Everything has already happened.”

TOM HARDY BEING FLAWLESS
↳ Inception (2010)

“You mustn’t be afraid to dream a little bigger, darling.”

August 27th
20:55
Via

GQ: In Lawless, your character rocks the most menacing cardigan I’ve ever seen. Your choice?

Tom: It wasn’t in the script. The only way you can make him a likeable gangster is by finding his femininity. He’s a mother [to his brothers]. I had a big fuckload of batteries  in the pockets, so it hung down. I looked like your granddad, but I had a swagger. A cardigan with a swagger, right? Can you imagine getting knocked the fuck out by a guy in a cardigan? (x)

August 9th
15:59

[Character spoilers ahead]

Clothes on Film: Why did you design Bane’s shearling coat yourself? Was it impossible to find multiples of something that fitted your interpretation of the character?

Costume Designer Lindy Hemming: Because of my research for this character; he is a man who has travelled the world as a kind of mercenary. I was looking at two main areas, firstly his military surplus scavenging, which has gone into making up his entire wardrobe and breathing equipment; I fell in love with a very old, matted Swedish army sheepskin arctic wear coat with huge collar and lead weights as buttons, a great characterful garment. Secondly his idealistic, romantic, revolutionary aspirations, which was how Chris Nolan had explained an aspect of him; this lead me to think about the French Revolutionary style / military greatcoat look with ample collars. We also has a feeling that this garment could be a ‘sign/signal’ of the change for the mania in his behaviour of and his worsening destructive megalomania as he enters the football field.

Obviously this combination of ideas in a garment did not exist so I decided to set about designing it and having it made in L.A. It was a very difficult project, and there were the issues of multiples, the non- matching aspects of sheepskins, and, for poor Tom Hardy as Bane, an extra hot, heavy horror, as he was already facing torture by face and mouth with the covering mask.

Clothes on Film: How about Bane’s costume underneath the coat (padded vest)?

Costume Designer Lindy Hemming: The padded vest was made as it would have been in the story, from a collection of surplus tent canvas, old webbing belts, metal plates from the door of a jeep, military meshes etc., and was designed to be worn both with and without the leather and canvas back support belt, which Bane needs due to his torture in prison as a child/teenager. These pieces were also needed in exactly identical multiples, and were a very important part of achieving his extreme silhouette; tinkering with his proportions to help make him look more bulky, animalistic and aggressive.

“Getting light into the eyes of those characters, all of whom are covered except for the eyes, was the single most important illumination task in the entire picture,” says [DP Wally] Pfister. 
Gaffer Cory Geryak fashioned a 1X1 snoot for the lamp, and Pfister used it throughout the shoot as an eyelight for the three masked main characters, Batman, Catwoman and the villain, Bane.

“Getting light into the eyes of those characters, all of whom are covered except for the eyes, was the single most important illumination task in the entire picture,” says [DP Wally] Pfister.

Gaffer Cory Geryak fashioned a 1X1 snoot for the lamp, and Pfister used it throughout the shoot as an eyelight for the three masked main characters, Batman, Catwoman and the villain, Bane.

July 20th
21:54
Via
cinemas-:

Hey everyone look at this great picture I found.

cinemas-:

Hey everyone look at this great picture I found.

July 3rd
17:58
“There’s something that’s very human about Warrior that brings you out. You’re watching the movie and, yeah, there’s fighting - there’s a tournament at the end of the movie - but it takes a long time to get to know these people. You see them in a fight situation and you get to know them, so you have two movies. It’s very interesting how Gavin’s set you up with the red car and the blue car. Who are you going to bet on? Who do you want to win? Who do you think will win? But, at the end of the day, it’s not really that important. You’ve spent two hours in the movie theater with two guys you care about, and the dad you care about, even though none of these people are clean. They’ve all got problems; they are all flawed. They are human, but at least at the end we love them. We kind of care about them. It’s quite emotional. The people close to me that have seen this film, there’s quite a few people that I’ve shown the film, have all felt emotionally moved and touched by the end. It’s not a kung fu film. It really kicks up the skeletons and the dust for everybody. It’s really amazing.” - Tom Hardy.

“There’s something that’s very human about Warrior that brings you out. You’re watching the movie and, yeah, there’s fighting - there’s a tournament at the end of the movie - but it takes a long time to get to know these people. You see them in a fight situation and you get to know them, so you have two movies. It’s very interesting how Gavin’s set you up with the red car and the blue car. Who are you going to bet on? Who do you want to win? Who do you think will win? But, at the end of the day, it’s not really that important. You’ve spent two hours in the movie theater with two guys you care about, and the dad you care about, even though none of these people are clean. They’ve all got problems; they are all flawed. They are human, but at least at the end we love them. We kind of care about them. It’s quite emotional. The people close to me that have seen this film, there’s quite a few people that I’ve shown the film, have all felt emotionally moved and touched by the end. It’s not a kung fu film. It really kicks up the skeletons and the dust for everybody. It’s really amazing.” - Tom Hardy.

October 16th
10:09

Should I be worried that I’ve been inceptioned because all my dreams are two hot guys fighting over me. 

August 3rd
23:12
Via
salesonfilm:

Bronson (Nicholas Winding Refn, 2008) in stills #2

Seriously the wonkiest teeth I’ve ever seen. It’s the Lombard street of teeth. 

salesonfilm:

Bronson (Nicholas Winding Refn, 2008) in stills #2

Seriously the wonkiest teeth I’ve ever seen. It’s the Lombard street of teeth.